• Transitions
    • Tropicale
    • The Color of Sound
    • Botanica
    • Arcitectonica
    • Digital Prints
    • Etchings
    • Woodcuts
    • Moku Hanga
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    • Drawing into Painting
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Betty Wilde Biasiny

Beaverkill Road
Olivebridge, NY, 12461
000-000-0000

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Betty Wilde Biasiny

  • Thematic Work
    • Transitions
    • Tropicale
    • The Color of Sound
    • Botanica
    • Arcitectonica
  • Printmaking
    • Digital Prints
    • Etchings
    • Woodcuts
    • Moku Hanga
  • Paintings
    • Watercolor
    • Drawing into Painting
    • Visual Memoir
  • Drawings
  • Blog
  • About
Schemata IV, 2011

Arcitectonica

“Arcitectonica” is a portfolio comprised of digital collages that were created from watercolors that were cut then “spliced” together to form a whole new analog image. Some have been layered with drawn elements, rescanned, then printed again. This process gave me a sense of haptic control over the digital output, while achieving surprising new images in a final printed form.

The portfolio was created over two different trips to Florence and the more rural Tuscan landscapes of Italy, with the idea that my experience of the dynamic landscapes in various locations could merge into a cubistic visual memory. Working in this style allowed me the freedom to engage conceptually with multiple views of time and space in this sublime landscape.

The color is both naturalistic and improvised, providing a vibrant representation of my feelings about the undulating hills, the tapestry of farmlands, and the interaction of architectural elements ranging from traditional farmhouses to historic churches.

The overall theme of the portfolio has resulted in three sub-series: Arcitectonica (the core of the series made in two sizes), Schemata (which tended to be larger more spatial images, and some titles more germane to their location (Tuscan Vista, Lucca Vista, et al).

Betty Wilde-Biasiny

Arcitectonica

“Arcitectonica” is a portfolio comprised of digital collages that were created from watercolors that were cut then “spliced” together to form a whole new analog image. Some have been layered with drawn elements, rescanned, then printed again. This process gave me a sense of haptic control over the digital output, while achieving surprising new images in a final printed form.

The portfolio was created over two different trips to Florence and the more rural Tuscan landscapes of Italy, with the idea that my experience of the dynamic landscapes in various locations could merge into a cubistic visual memory. Working in this style allowed me the freedom to engage conceptually with multiple views of time and space in this sublime landscape.

The color is both naturalistic and improvised, providing a vibrant representation of my feelings about the undulating hills, the tapestry of farmlands, and the interaction of architectural elements ranging from traditional farmhouses to historic churches.

The overall theme of the portfolio has resulted in three sub-series: Arcitectonica (the core of the series made in two sizes), Schemata (which tended to be larger more spatial images, and some titles more germane to their location (Tuscan Vista, Lucca Vista, et al).

Betty Wilde-Biasiny

Schemata IV, 2011

Schemata IV, 2011

archival pigment print on watercolor paper, 24 x 30”

Schemata III, 2011

Schemata III, 2011

archival pigment print on watercolor paper, 24 x 30”

Schemata I, 2011

Schemata I, 2011

archival pigment print on watercolor paper, 24 x 30”

Arcitectonica IV, 2010

Arcitectonica IV, 2010

archival pigment print on watercolor paper, 13 x 19”

Arcitectonica V, 2010

Arcitectonica V, 2010

archival pigment print on watercolor paper, 13 x 19”

Arcitectonica VI, 2010

Arcitectonica VI, 2010

archival pigment print on watercolor paper, 13 x 19”

The Arches of Camiore, 2011

The Arches of Camiore, 2011

archival pigment print on canvas, 24 x 30”

Tuscan Vista, 2010

Tuscan Vista, 2010

archival pigment print on canvas, 24 x 30”

Lucca Vista, 2011

Lucca Vista, 2011

archival pigment print on watercolor paper, 24 × 30”

Schemata II, 2010

Schemata II, 2010

archival pigment print on watercolor paper, 24 x 30”

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